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Triosonate III in D Moll BWV 527 - 3 Saxophones SABar/SAT By Johann Sebastian Bach / Arranged by Olaf Mühlenhardt - Conductor Score & Parts
Singing Machine Woodwind - Saxophone Trio Series | |
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Product Code: ADV7704-1-D
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In Stock. Up-tempo even eighth piece. The melody is very angular (kind of Dolphy-ish), and the harmonies are unusual, since they are not based on traditional chord voicings. This chart sounds best played fast with a funky, gritty, earthy quality, but can work well even at a medium tempo.
This simple melodic rendering of the traditional hymn "Amazing Grace" is dedicated to the events of 9/11/2001, and is written for four xaxophones (SATBar), featuring the alto saxophone.
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This is an engaging composition based on the traditional Chanukah tune, "Rock of Ages." Ideal for holiday programming, it features the use of ethnic melodic inflections and rich harmonic textures featuring the soprano and tenor saxophone with interludes. Written for saxophone quartet (SATBar).
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This lively version of the traditional Christmas carol, "Jingle Bells," has been arranged for saxophone quartet (SATBar) by Dennis C. Anderson and is ideal for an encore performance.
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Two objectives were in mind while transcribing the "Finale." One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The "Finale", a molto allegro in rondo form, should sparkle with cheerful charm and wit. Saxophonists should strive for the lightness and grace so prevalent in much of Mozart's timeless music.
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Mozart's "Finale" from Sonata No. 11, KV 331, also known as "Rondo alla Turca", is one of his most recognized works. This tuneful, lively work was composed in the late 1770s, and since then has been transcribed for many ensembles. Two objectives were in mind while transcribing the "Rondo alla Turca." One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. Such markings found here are provided only as suggestions. Secondly, rather than featuring just the solo soprano saxophone, the melodies were given to other parts as well.
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A snappy composition featuring melodies typical of the popular Latin style. The bass line surfs along in the foreground, performing a number of solos.
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"La Troucha" has been arranged for saxophone trio (AAT) by Fritz Pauer.
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This learning methods aims at a more playful and efficient approach to ensemble playing for the youngest among musicians. The CD offers a complete version of each tune as well as several play-along tracks, which give the students the possibility of practicing the three individual parts at home.
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This learning methods aims at a more playful and efficient approach to ensemble playing for the youngest among musicians. The CD offers a complete version of each tune as well as several play-along tracks, which give the students the possibility of practicing the three individual parts at home.
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These three choral preludes have been taken from Bach's Organ Booklet. In the first chorale, the principal voice is assigned to the alto saxophone. In the third chorale, it is the tenor saxophone performing the expressive sixteenth-note lines that plays the more prominent part. Titles: Ich ruf zu dir * Lob sei dem allmächtigen Gott * Wer nur den lieben Gott lässt walten.
The first movement begins with a fugue over a continuo-bass. Two contrasting themes, one homophone, the other in imitation dominate the second movement. In the third movement the soprano and alto parts had to be exchanged in some bars to accommodate the instruments' ranges.
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