Thirteen two-part recorder selection and one four-part selection from the Baroque period. The two-part selections are for two soprano recorders, while the four-part selection is for three sopranos and one alto. Features music by N. de Chedeville, Pachelbel, J. Aubert and others. Beginner level of difficulty. Here is a listing of related products.
More Products Purchased by Customers Who Purchased Baroque Recorder Music by Franz Zeidler - Book - Archive Edition - Recorder (Soprano) Mel Bay Solos Series:
A unique assortment of 40 short pieces written for soprano recorder with suggested guitar chords. Selection include: Trouvere (Or la Truix); Estampie; La Rotta; Saltarello; Der Neve Villancico; Basse Dance (La Volunte'); Hoboeckentanz; Der Heiligen Drei...
A fine collection of early music ranging from Gregorian chants and medieval dances to late-Renaissance compositions. Here is a listing of related products . Recommended supplemental products: Medieval and Renaissance Music for Recorder - Bancalari 96330...
Blues Guitar Play-Along Trax, within the School of the Blues Lesson Series, is an exciting play-along that contains the most common grooves used in blues bands today. Notated examples are also provided to give you an idea of how you can approach accompa...
An in-depth approach to mastering arpeggios for guitarists, beginning with simple arpeggio studies, this book progresses through simple concepts and tunes then proceeds to tackle some of the great standards that jazz musicians play. The lesson concludes...
Modern Blues is for intermediate to advanced players wishing to expand their melodic and harmonic vocabulary. The music is in standard notation as well as tablature and a CD is included in which the more difficult exercises are played at a slower as wel...
There have been few previous examples of guitar versions of Schubert' piano music, and practically no attempts to transcribe a complete set of pieces, as Caldern has done here with the six pieces of Schubert's Moments Musicaux. These pieces are superb e...
